Just a quick little Monday post to show off this cute drawstring bag I made for our niece's birthday last week. She's very into Minecraft (like every other kid her age), and I thought a little bag might be handy for carrying around the figures she collects.
I used Jeni's great lined drawstring bag tutorial in the original size. It's really well done and went together in no time. It probably took almost as long for me to choose the fabrics.
Our niece isn't super girly, so I didn't want to use pink or purple, and when I came across these bees in my stash, I couldn't resist. (The bee fabric was left over from B's Hide and Seek quilt, my very first quilt! It's so funny to read back through that post.) I paired them with a teal Alison Glass bike path print on the front and a colorful print I can't identify for the lining, which pulled all of the colors together.
This makes me want to make a million drawstring bags for all of B's little "treasures."
Monday, February 8, 2016
Monday, February 1, 2016
Carkai Gatherer bag
It's been a while since I made a new bag, and Anna Graham's (of Noodlehead) Gatherer Crossbody Bag called to me from the minute she posted the free pattern. I'm still generally in the stage of using larger purses/totes most of the time (because I'm always carrying extra stuff for my little guy), but it's nice to have a smaller purse option, too.
Anna made the pattern to go with Carolyn Friedlander's Carkai collection, and it's a natural fit to be sure. I used The Big One in Iron from Carkai for the outside of the bag and paired it with Crisscross in Blue from Carolyn's Doe collection on the inside. I can't enough of that print. So useful.
I made this particular bag as a sampler for a class I'll be teaching locally at Janie Lou in March (there are still spots available if you're local), so I paired it down to the most basic version of the bag: no hardware and no piping. This pattern is great because it offers a lot of modifications to make it as simple or advanced as you want. To make the flap closeable without hardware, I added a small tab on the outside of the pocket. I also finished the ends of the straps (which the pattern doesn't do).
Anna made the pattern to go with Carolyn Friedlander's Carkai collection, and it's a natural fit to be sure. I used The Big One in Iron from Carkai for the outside of the bag and paired it with Crisscross in Blue from Carolyn's Doe collection on the inside. I can't enough of that print. So useful.
I made this particular bag as a sampler for a class I'll be teaching locally at Janie Lou in March (there are still spots available if you're local), so I paired it down to the most basic version of the bag: no hardware and no piping. This pattern is great because it offers a lot of modifications to make it as simple or advanced as you want. To make the flap closeable without hardware, I added a small tab on the outside of the pocket. I also finished the ends of the straps (which the pattern doesn't do).
I'm excited to teach my class in the coming weeks and can't wait to make more of these little bags in the future. It's a fun little pattern that I can see making again and again.
Friday, January 29, 2016
February do.Good Stitches blocks
February is my next month as quilter for the EMERGE circle of the do.Good Stitches charity bee, so I've put together a little tutorial for the quilt I'd like us to make. The block is based on the Scrap Plus quilt designed by Faith of Fresh Lemons Quilts. The original quilt is super cute, but I wasn't sure how well it would work for a bee quilt, so I'm taking the block and changing things up a bit.
I'm requesting two blocks from my beemates, one the reverse of the other, so one block has a scrappy plus and white background, and the other will have a white plus and scrappy background.
I'm using a fun color scheme of lighter to mid-range blues and cornflower and mustard yellows based on this fabric pull.
Most of the prints are from Carolyn Friedlander lines, and her colors are exactly what I'm going for. I want to avoid pastel colors, bright or lemony yellows, and darker blues. The blues should be truer blues, avoiding anything moving toward aqua. The white should be a solid white or just slightly off-white; please no prints for that part. The scrappy parts should be mainly prints, but incorporating a few solids would be fine. Some suggestions for solids (to use on their own or to help you match prints) include Kona Snow, White, Yarrow, Curry, maybe Buttercup or Sunflower? (I don't have a color card, and I'm having trouble matching up the lighter yellow exactly), Sky, Fog, Astral, and Lake or Moda Bella 97 or 98 (whites), Chrome, Mustard, Saffron, Blue Raspberry, Frost, Bright Sky, and Little Boy Blue. This fabulous triangle quilt by Erin (@quiltbystarlight) provided much of the color inspiration.
Faith made her original blocks super scrappy, and you're welcome to do that as well (just follow her tutorial), but I'm also offering a quicker version that lets you make both blocks at once using strip piecing. (Beemates will only choose one of the colorways unless you're feeling generous and want to make four blocks. Please make your blocks monochromatic (either all blue or all yellow); do not combine the colors in your blocks.) Here's what you need:
1. From your white solid, cut the following:
(4) 5.5” x 5.5” squares
(1) 2.5” x 2.5” square
(4) 2.5” x 5.5” rectangles
Set these aside for now.
2. Choose 4-5 fabrics in one of the colorways (yellow or blue). You may want to audition your strip placement by laying some of the white squares around a small section, like below.
3. Once you're satisfied with your pull, you need to cut a 33" long strip from each fabric. If you want to use 5 fabrics, three should be cut 1.5" wide, and two should be cut 1.75" wide. If you want to use 4 fabrics, two should be cut 2" wide, and two should be cut 1.75" wide. These widths will give you a little wiggle room for trimming later. You also need to cut (1) 2.5” x 2.5” square from one of the fabrics (set it aside for now).
4. Piece the strips using a 1/4" seam allowance and a smaller stitch width (since we'll be cutting this strip up in a minute). I used 2.0 on my Janome.
5. Press all seams open.
6. Using a rotary cutter, cut your strip into the following pieces:
(4) 5.5” x 5.5” squares
(4) 2.5” x 5.5” rectangles
You should now have pieces that look like this.
7. Lay out your pieces in two blocks as shown. Sew each row together, pressing seams open, then sew all of your rows together.
8. Press your seams open one more time, and voila! You have two beautiful blocks ready to go.
Please let me know if you have any questions. These blocks are super easy and go together in no time. Hope you enjoy this one!
I'm requesting two blocks from my beemates, one the reverse of the other, so one block has a scrappy plus and white background, and the other will have a white plus and scrappy background.
I'm using a fun color scheme of lighter to mid-range blues and cornflower and mustard yellows based on this fabric pull.
Most of the prints are from Carolyn Friedlander lines, and her colors are exactly what I'm going for. I want to avoid pastel colors, bright or lemony yellows, and darker blues. The blues should be truer blues, avoiding anything moving toward aqua. The white should be a solid white or just slightly off-white; please no prints for that part. The scrappy parts should be mainly prints, but incorporating a few solids would be fine. Some suggestions for solids (to use on their own or to help you match prints) include Kona Snow, White, Yarrow, Curry, maybe Buttercup or Sunflower? (I don't have a color card, and I'm having trouble matching up the lighter yellow exactly), Sky, Fog, Astral, and Lake or Moda Bella 97 or 98 (whites), Chrome, Mustard, Saffron, Blue Raspberry, Frost, Bright Sky, and Little Boy Blue. This fabulous triangle quilt by Erin (@quiltbystarlight) provided much of the color inspiration.
Faith made her original blocks super scrappy, and you're welcome to do that as well (just follow her tutorial), but I'm also offering a quicker version that lets you make both blocks at once using strip piecing. (Beemates will only choose one of the colorways unless you're feeling generous and want to make four blocks. Please make your blocks monochromatic (either all blue or all yellow); do not combine the colors in your blocks.) Here's what you need:
1. From your white solid, cut the following:
(4) 5.5” x 5.5” squares
(1) 2.5” x 2.5” square
(4) 2.5” x 5.5” rectangles
Set these aside for now.
2. Choose 4-5 fabrics in one of the colorways (yellow or blue). You may want to audition your strip placement by laying some of the white squares around a small section, like below.
3. Once you're satisfied with your pull, you need to cut a 33" long strip from each fabric. If you want to use 5 fabrics, three should be cut 1.5" wide, and two should be cut 1.75" wide. If you want to use 4 fabrics, two should be cut 2" wide, and two should be cut 1.75" wide. These widths will give you a little wiggle room for trimming later. You also need to cut (1) 2.5” x 2.5” square from one of the fabrics (set it aside for now).
4. Piece the strips using a 1/4" seam allowance and a smaller stitch width (since we'll be cutting this strip up in a minute). I used 2.0 on my Janome.
5. Press all seams open.
6. Using a rotary cutter, cut your strip into the following pieces:
(4) 5.5” x 5.5” squares
(4) 2.5” x 5.5” rectangles
You should now have pieces that look like this.
7. Lay out your pieces in two blocks as shown. Sew each row together, pressing seams open, then sew all of your rows together.
8. Press your seams open one more time, and voila! You have two beautiful blocks ready to go.
Please let me know if you have any questions. These blocks are super easy and go together in no time. Hope you enjoy this one!
Thursday, January 28, 2016
And the gifts keep coming
I returned from Christmas travels with grand plans of doing some selfish sewing, but somehow, as so often happens, other projects kept creeping in. First up, my mom asked if I'd make her a basket to use for storage in her car. She originally asked for one like the 123 baskets I made for Christmas, but I steered her toward a one-hour basket instead because it's a bit bigger and has more functional handles.
I've made two of the baskets before, and Kelly's free pattern really is great. They go together so easily and are the perfect size for organizing. My mom requested purple and cream, and I mostly pulled from my stash to put it all together (fudging just a bit with the creamy gray I used on the interior).
Then, a good friend had a big birthday this week, and I wanted to give her a little something that I hoped would make her smile (it did). She's a big cat lover and a birder, so I combined the two using some great Cotton + Steel prints in a fun little coaster set.
The first fabric is Stack O Cats in Teal from Sarah Watts's Cat Lady collection.
For the backing, I used Colibri in Citron from Sarah's Honeymoon collection. They play so nicely together. I used the Coaster Set pattern from I Love Patchwork by Rashida Coleman-Hale, making just one modification to cut the tray a half inch larger originally, which leaves just a bit more wiggle room for the coasters in the end.
I've made two of the baskets before, and Kelly's free pattern really is great. They go together so easily and are the perfect size for organizing. My mom requested purple and cream, and I mostly pulled from my stash to put it all together (fudging just a bit with the creamy gray I used on the interior).
Then, a good friend had a big birthday this week, and I wanted to give her a little something that I hoped would make her smile (it did). She's a big cat lover and a birder, so I combined the two using some great Cotton + Steel prints in a fun little coaster set.
The first fabric is Stack O Cats in Teal from Sarah Watts's Cat Lady collection.
For the backing, I used Colibri in Citron from Sarah's Honeymoon collection. They play so nicely together. I used the Coaster Set pattern from I Love Patchwork by Rashida Coleman-Hale, making just one modification to cut the tray a half inch larger originally, which leaves just a bit more wiggle room for the coasters in the end.
Pretty cute, huh? Maybe now I'll finish up one of those "me" projects? We'll see.
Wednesday, January 27, 2016
WIP Wednesday: Building a flock
I've got so many works in progress this week that it's a bit overwhelming. After knocking out several smaller projects at the beginning of the month, I shifted my focus to some new projects for work, along with finishing up one quilt that's been lingering for far too long. I was the quilter for the September block in my do.Good Stitches bee, and while I had the quilt all basted back in November, it got sidelined by several other projects. I finally got started on quilting it and am anxious to finally wrap this one up.
And speaking of do.Good Stitches, I finished up my January blocks and am working on a tutorial for February, for which I'm the quilter again. I pulled this fun stack of mostly Carolyn Friedlander prints a few weeks back and am curious to see what my beemates think.
Finally, most of my time this week has been spent on a new quilt I'm making as a sample for the LQS where I work part time. I'm making Vanessa Christenson's Rush Hour quilt using her ombre solids, and they're amazing. (The two prints on the right in the pic below are for a Gatherer crossbody bag I'm also making for work.)
Seriously, these colors are so beautiful, even in crappy basement lighting.
It's a pretty simple quilt, composed almost entirely of flying geese, but it took a while to work out the layout, and then of course, there was a whole bunch of chain piecing, pressing, trimming, piecing, pressing, trimming, and pressing again.
The neverending to do list:
I'm linking up to WIP Wednesday at Freshly Pieced.
And speaking of do.Good Stitches, I finished up my January blocks and am working on a tutorial for February, for which I'm the quilter again. I pulled this fun stack of mostly Carolyn Friedlander prints a few weeks back and am curious to see what my beemates think.
Finally, most of my time this week has been spent on a new quilt I'm making as a sample for the LQS where I work part time. I'm making Vanessa Christenson's Rush Hour quilt using her ombre solids, and they're amazing. (The two prints on the right in the pic below are for a Gatherer crossbody bag I'm also making for work.)
Seriously, these colors are so beautiful, even in crappy basement lighting.
It's a pretty simple quilt, composed almost entirely of flying geese, but it took a while to work out the layout, and then of course, there was a whole bunch of chain piecing, pressing, trimming, piecing, pressing, trimming, and pressing again.
One hundred and 12 geese later, and boom, we're almost there! I'm hoping for a finish by this weekend, and then it's back to quilting that low-volume log cabin.
The neverending to do list:
September Emerge Circle quilt
Rush Hour quilt
January do.Good Stitches blocks
February do.Good Stitches blocks
Catenary mini quilt
Hexie mini quilts
Gatherer bag
Washi tunic
Sorbetto top
Esme tunic/top
Jewelry travel pouch
Patchwork City sampler quilt
Allie Owl quilt
Menagerie quilt
Hazel Hedgehog quilt
The Kittens quilt
Aviatrix Medallion quilt
Swoon quilt
Spiced Chai quilt (from Vintage Quilt Revival)
Sunset Tiles quilt (from Scraps Inc.)
Rush Hour quilt
February do.Good Stitches blocks
Catenary mini quilt
Hexie mini quilts
Gatherer bag
Washi tunic
Sorbetto top
Esme tunic/top
Jewelry travel pouch
Patchwork City sampler quilt
Allie Owl quilt
Menagerie quilt
Hazel Hedgehog quilt
The Kittens quilt
Aviatrix Medallion quilt
Swoon quilt
Spiced Chai quilt (from Vintage Quilt Revival)
Sunset Tiles quilt (from Scraps Inc.)
I'm linking up to WIP Wednesday at Freshly Pieced.
Tuesday, January 26, 2016
January do.Good Stitches blocks
Finally! A blog post! It's been über busy around here, and while I'm always working on the next project, it's often hard to find time to write about them all. A few weeks back, I managed to bust out a few small projects, including my January blocks for the EMERGE circle of the do.Good Stitches charity bee.
Allison asked us to make log cabin hexagons in high-contrast colors. She wanted one in very light low-volume fabrics and one in a very dark color (she suggested black, dark grey, navy, crimson, deep purple, or deep green). I started with a 2.5" hexie (I think) and went from there. I love how the seams look on the back.
The hexies finished at about 9" tall. Allison recommended tutorials by The Sewing Chick and Mel in the Attic, and both were super easy to follow. These were fun to wrap up in an evening, and I'm excited to see this quilt come together.
The hexies finished at about 9" tall. Allison recommended tutorials by The Sewing Chick and Mel in the Attic, and both were super easy to follow. These were fun to wrap up in an evening, and I'm excited to see this quilt come together.
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